
Departing from her mother’s Japanese name, “One Thousand Cranes,” these poems bring a message of trauma and recovery, war and reconciliation, and the passage from personal shame to self-regard.
They are historical, political and personal in the same breath: from the memories of Shigeko Sasamori, Hiroshima survivor, to the author’s quieter struggle for dignity and respect in Albuquerque, resurgent city of the Southwest.