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The bayou dries up at the edges
The place desires sunken cars and compromised love
The old clapboard mansion disappears
Tornados and UFOs are working together
Sounds of a chainsaw on the trail
Sounds of hunger in an angry man
Barbwire on the horizon
A red horse stands up, steps over like a human
I am still thinking about the ghost
It is still thinking about me
I watch white dogs of the dawn
A hand struggles at the water’s surface
— “Plum Bayou Combinations”
In southwestern Oklahoma an intricate sense of community exists in the small neighborhoods of Comanche Tribal Housing like Madischie. From its streets comes a hell-bent young crew of Comanche, Arapahoe and Kiowa toughs led by a young Comanche named Velroy. They seek power within a subculture of organized crime, caught in the century-long transformation from the old Comanche Nation, “Lords of the Plains,” to a modern-day casino-owning tribe. This is their story, told in a distinctive narrative poetry with its honed syntax, wild imagery and a splash of high lyricism. This is also an innovative first book, borrowing from the pan-tribal mixed culture of comic books, crime shows and contemporary satire.
“The music is somewhere between dj scratching with a hip and a hop, powwow, 49, and peyote ceremony drumming. There are raids, ghosts with a terrible sense of humor, out-of-control Indian cars, and the need for a vision that will carry through in this strange age of split paths. Hoahwah’s finding the way to navigate the Comanche soul in these poems: by listening, taking it all down and singing it back.” —Joy Harjo
“In a remarkable poetic gesture, Hoahwah’s book echoes our own ‘hunger to answer’ old languages heard in the dark.” —Kimberley Baeser